Those other rumors seek appeasing responses spokensoon by clever pausing of urgent chided calls.Time accepts these poisoned modes as allalone my time stalls, shutting inmuch. Endear form’s ardor with youth’s plea —mend visits spared, explain doom’s empire,impede, mire, ungouge doomin quite a mist. Last use is vast, a pound’s lamentextended. Sheer madness mixes tracesleft in on user’s load extolled. Treattime well as lag forgets the oblong meetingarena, but party on small grapes longstored back at unit’s room – snuggle afterthis wine is balanced, drunk or shed. Allone needs we carry here or inviteto share. Exact that excuse, enlist thismoist surge in bottoms found opened incloset’s floor — inspect, forage or flag bottom’sflask, examine for all mangled snares.Take this present jar, look in, enter mouth’sfast crease, then fix long on fallow slats usedin bottom’s custom. Flout those normal termsabove lost counts as matters first felt, yet countbest not opposed or moved. Oblongarena rests long on ballad’s shout forgotten, spokenopenly in yet exhaled whispers. Last journey mendsthe lesser odors justly abused when pure sandsaccount matters for pouted skeins. Visit lousy form,score the violet soon but lower that sad phase.Data drooped under mirror’s urge, yetrime enough and time enough, time isailing. Upon my breath, breathe fast, swoon —swoon long, urging myriad lungs born in age’sloop played as data mind the store.____"Entire Lost Silence Drifts" comes from Gale Nelson's second circuit of homovocalic translations from the works of William Shakespeare (this text uses a passage from William Shakespeare's play, The Life of King Henry the Fifth) -- the first circuit, This Is What Happens When Talk Ends, was published by Burning Deck/Anyart in 2011. Nelson's two other books are stare decisis and ceteris paribus, (also from Burning Deck).