Transgenerational Haunting: Adam Haslett, Imagine Me Gone

Adam Haslett’s Imagine Me Gone is painful, even tragic, and yet it is also just funny and acerbic enough to keep it (or its readers) from becoming unbearably sad. In fact, I thought there was something oddly bracing about it. That’s partly because I thought it was so well done, artistically and formally, but it’s also […]

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“Modest Hope”: Rosy Thornton, Hearts and Minds

After that, there was a return to something of the camaraderie which had developed between them during these last two terms and he discovered himself nursing the more modest hope that her departure would not mean a cessation of their friendship. The last time I wrote about Rosy Thornton here, in a post on her […]

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“Kiss Me, Katya”: Anne Tyler, Vinegar Girl

Vinegar Girl, Anne Tyler’s contribution to the Hogarth Shakespeare project, is basically a romantic comedy — the “indie” version, a bit quirky, a bit acidic, a bit sweet. In fact, it is both sweeter and more romantic than I expected: it has been decades since I read or saw The Taming of the Shrew, but at least in […]

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Chilling, Twisted, Forensic: Hilary Mantel, The Assassination of Margaret Thatcher

The adjectives in my post’s title all come from the nearly four pages of blurbs at the front of my paperback edition of The Assassination of Margaret Thatcher and Other Stories. Looking them over after finishing the book, I was struck by how consistent the clips are, and how accurate: “exhilarating if dark,” “brilliantly chilling,” “artfully […]

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This Week In My Classes: A Study in Contrasts

I didn’t plan it this way, but it turns out that teaching Lord of Scoundrels at the end of a term that has also included Bleak House, Adam Bede, and Tess of the d’Urbervilles is a good way to bring home the truth of  Jennifer Crusie’s remark that a lot of great literature is really toxic to women. In romance fiction, […]

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“Multiplicity of the Self”: Kerry Clare, Mitzi Bytes

The problem with the multiplicity of the self — an idea that appealed to minds as wide-ranging as Virginia Woolf’s and Lolo’s, not to mention Cher’s — was that you never knew which part of you anybody was talking about. The problem with the multiplicity of the self was that there could be enough of […]

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“Mourning in a Drawing Room”: Helen Simonson, The Summer Before the War

This was the confusion of war, thought Beatrice. That some should sit mourning in a drawing room, or smoothing the brow of a dying boy, while in a cottage on a cobbled street, two young lovers could only choose to stand against the shocking burden of death and loss with their love and their passion. […]

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This Week In My Classes: March Madness and #IWD

I can’t believe Reading Week is already two weeks ago — but that’s what it’s always like when we come back. I don’t like to say that it’s all downhill from there, but it does always seem as if the term accelerates, even as the work accumulates. And there are just so many moving parts! […]

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Showing and Telling in Adam Bede

Tomorrow we start our work on Adam Bede in my 19th-Century Fiction class. As I was rereading the opening chapters last week, I tweeted, a bit facetiously, that you could probably “launch a successful attack on the whole foolish ‘show, don’t tell’ myth using excerpts from Adam Bede alone.” This was in part a delayed reaction to […]

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This Week In My Classes: Blizzards and Breaks

This week is Dalhousie’s Reading Week, so I’m enjoying a break from the routine of classes. Last week, though, was also sort of a break, or at least a broken up week, thanks to the massive blizzard that arrived late Sunday night and shut the city down almost completely until Wednesday. And then on Thursday another storm […]

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“Tempest of the Headspace”: Margaret Atwood, Hag-Seed

“Also,” said Felix, “it’s on a universal theme.” What he had in mind was vengeance – that was certainly universal. He hoped she wouldn’t ask him about the theme: vengeance was so negative, was what she’d say. A bad example. Especially bad, considering the captive audience. Hag-Seed is one of a series of novels commissioned […]

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“What a Smart Girl”: Kathleen Rooney, Lillian Boxfish Takes a Walk

Fifteen inquiries. Five favorable replies. Including one by telegraph from R. H. Macy’s. This was the one I chose: my first serous job in New York City. A job which in some ways saved my life, and in other ways ruined it. What a smart girl. The premise of Lillian Boxfish Takes a Walk is simple. It’s […]

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