Two From FSG
/John Cotter leads us to the interior of two extremely different books of poetry, Charles Wright’s reflective and naturalist Littlefoot and Frederick Seidel’s garish and weird Ooga-Booga.
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John Cotter leads us to the interior of two extremely different books of poetry, Charles Wright’s reflective and naturalist Littlefoot and Frederick Seidel’s garish and weird Ooga-Booga.
Read MoreReading a book rendered from Polish to French to English is like playing a game of Telephone. In our regular feature, Andrew Crocker expounds on the pleasures of translations.
Read MoreA poem by Maggie Smith
Read MoreSimon & Schuster is calling Michael Behe’s The Edge of Evolution a work of science. Steve Donoghue examines just how blasphemous a claim that is.
Read MoreAh, that slave-trading John Hawkins, what a dreamy, dashing man! Steve Donoghue reviews Susan Ronald’s The Pirate Queen, an Elizabethan history a trifle more interested in romance than, um, what actually happened.
Read MoreIn our regular feature, Joanna Scutts is judge and jury over the reviewers of Günter Grass’s Peeling the Onion, who rather too frequently forgot they were supposed to be considering a book.
Read MoreAdam Golaski reviews Zeitgeist, the newest from the iconic band whose members are always changing and whose bickering and misery is our gain.
Read More“Let’s Swing” by Ugur Can
Read MoreDavid Malouf may have written more thoroughly about Australia than any writer in history. Now that his Complete Stories is out, Sam Sacks assesses the fruit of his thirty-year career.
Read MoreJames Fenimore Cooper’s greatness as a novelist has been almost completely lost behind a single, hilarious skewering from Mark Twain. Steve Donoghue reviews a new biography that tries desperately to win back the poor man’s reputation.
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