American Aristocracy | GODS OF COPLEY SQUARE | Magic II.
/Bohemian Back Bay was as key to Copley Square as aristocratic Back Bay and black artist models figured not only in Sargent's work, but in Fred Holland Day's too.
Read MoreAmerican Aristocracy: Gods of Copley Square - Magic 1
/A startling triptych illuminates the crossroads of social, racial, and sexual identity in the Copley Square of a century ago, as "The Gods of Copley Square" continues
Read MoreAmerican Aristocracy | GODS OF COPLEY SQUARE | Centerpiece 7
/"The Gods of Copley Square"s spirited multi-part examination of Boston's Trinity Church (and its indomitable bishop-saint) comes to its conclusion right where it should: at the heart of worship
Read MoreAmerican Aristocracy: Gods of Copley Square – Centerpiece 6
/Lost to history, here re-discovered, Trinity Chancel --"a daring enterprise in its day, as original an expression and as unique as was the genius of the American people."
Read MoreAmerican Aristocracy: Gods of Copley Square – Centerpiece 5
/A rumor of Narnia at Trinity Church prompts two questions. Can a building have a spiritual life? Can a work of art not? Phillips Brooks and the idea of ecstasy
Read MoreAmerican Aristocracy: Gods of Copley Square – Centerpiece 4
/"Truth is Catholic, but the search for it is Protestant," quoth W.H. Auden, and this month Phillips Brooks is at Lourdes, of all places, his liking for which can only be explained by his experiences at Benares.
Read MoreAmerican Aristocracy: Gods of Copley Square – Centerpiece 3
/"Perhaps a little drunk might answer" was Phillips Brooks's idea of how to view Pre-Raphaelite art, several masterpieces of which he commissioned for Trinity Church. "Centerpiece" continues.
Read MoreAmerican Aristocracy: Gods Of Copley Square - Centerpiece 2
/Henry Adams on the road to Chartres, Phillips Brooks on the Madonna of the prairie, and John La Farge on why he worried Trinity Church had "no heart" -- The Gods of Copley Square continues
Read MoreAmerican Aristocracy: Gods Of Copley Square - Centerpiece 1
/Byzantium rediscovered. An American in Venice and a forgotten Madonna (which breaks the rules) in Copley Square. Behold an American Hagia Sophia
Read MoreAmerican Aristocracy: The Gods of Copley Square - Fanfare
/HH Richardson waxing, Louis Sullivan watching: America's first school of architecture at MIT. To science and technology add art and religion, and immigrants sculpting the sister of the Statue of Liberty.
Read MoreAmerican Aristocracy: The Gods of Copley Square - Cornerstone
/Boston's iconic Copley Square - with its Trinity Church and its Public Library - is a present-day tourist hotspot, but those visitors hardly suspect the deep and rich history of the area. American Aristocracy continues.
Read MoreAmerican Aristocracy - Beethoven In Granite: The Boston Brahmin Aesthetic
/Intertwining through Boston history: the rich, implacable music of Beethoven and the flinty austerity of the Boston Granite style of architecture - trace the connections, as American Aristocracy continues.
Read MoreAmerican Aristocracy - Civil War: Pride and Shame on the Via Sacra
/The clash between Brahmin liberalism and the legacy of slave-trading focuses on a monument to the men who redeemed a city and ransomed a nation. "American Aristocracy" continues.
Read MoreAmerican Aristocracy - Harvard Pulpit: Boston Brahmin Liberalism
/To the quintessential virtues the Puritans lent to a fledgling republic - globality, philantropy, and autonomy - the 'speaking aristocracy' of the Boston Brahmins added one more: the love of learning
Read MoreAmerican Aristocracy - Brahmin Dreams: In Search of the Capital of The World
/Boston without Brahmins, like Vienna without Jews, frames shifting capitoline visions, visions much more in the spirit than most realize of Oliver Wendell Holmes Sr., who actually wrote: 'It dwarfs the mind to feed it on any localism.'
Read MoreAmerican Aristocracy - Letter from Boston: Toward a New History
/Boston, so often reproved for living in its memories, may well be poised to lead the future, not in spite of its history but because of it.
Read More
