State of the Union

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State of the UnionEds. Joshua Beckman and Matthew ZapruderWave Books, 2008There are many things I like about the new political anthology from Wave Books, State of the Union. I like its size–very manageable at just over 100 pages–and I like almost all of the poets represented within–old favorites like John Ashbery and James Tate alongside new favorites like Matthea Harvey and Tao Lin. I also like its dedication: all royalties for the book will be donated to a nonprofit organization that benefits poor and homeless veterans.But there are a few things I don’t like about it. Some of these poems seem only superficially political, as though to serve a conscience-easing function for the writer and the reader (and the publisher, I suppose); including the word “war” in a poem, as the second piece in the collection, Nick Flynn’s “Imagination” does, isn’t necessarily going to make me feel anything, be it indignation or rage or complicity. And complaining about the president (“i’m so happy i’m suicidal, like a psilosybin trip that’s moved in for good and his name is george bush,” writes Garrett Caples) may convince me you have good political sense, but it doesn’t convince me you’re a good poet.Many of the best poems in this collection come at their subject a little more obliquely, but are more fully realized as poems, by virtue of being emotionally complex and provoking more than one thought (e.g., War is bad or The government sucks)–I don’t read poetry to find assertions I already believe to be true (that’s what the Internet is for).One of my favorite poems in State of the Union is “Forgiveness” by Mathias Svalina, an early-career poet (unlike most of the authors here, he has yet to publish a full-length book). Svalina’s poem manages to be both funny and tragic and contains no platitudes. I felt the last stanza exactly where I was supposed to:

If you see a photographof a murdered girlyou will forever afterwear her teeth as anecklace for your throat.This is not forgiveness.It is forgivenesswhen you eatwith her teeth.

Another poem I liked was “Covenant of Sticks” by Dan Chelotti:

there is a hunger when I go birdwatching:I want to yell, do something you fucking bird,do something that isn’t flying, feeding, landing.Why don’t you explode? Why aren’t you the bombthat I want you to be?

Chelotti’s risk lies in admitting an animal appetite for destruction (Mary Ruefle’s poem proclaims, “We should try to be more like animals / and less like them at the same time”), and this opens the poem up to far more nuance than simply stating the obvious, that destruction is bad.–Elisa Gabbert____Elisa Gabbert is the poetry editor of Absent and the author of The French Exit (Birds LLC) and Thanks for Sending the Engine (Kitchen Press, 2007). Her latest chapbook co-written with Kathleen Rooney isDon’t ever stay the same; keep changing (Spooky Girlfriend Press). Recent poems can be found inColorado Review, The Laurel Review, Puerto del Sol, and Salt Hill.

Familiar Wishes

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For sixty years, the great and shapeshifting American author Evan S. Connell has woven strands of short stories through the fabric of his ongoing larger works. These beguiling stories have changed (and often deepened) with time while many of their ardors and tensions have remained the same, creating an irresistible dialectic. The three founding editors of Open Letters, united in their appreciation for this living legend of the American literary scene, pay tribute by writing a piece apiece on Connell’s life, career, and latest short story collection, Lost in Uttar Pradesh.

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Gathering Driftwood

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For sixty years, the great and shapeshifting American author Evan S. Connell has woven strands of short stories through the fabric of his ongoing larger works. These beguiling stories have changed (and often deepened) with time while many of their ardors and tensions have remained the same, creating an irresistible dialectic. The three founding editors of Open Letters, united in their appreciation for this living legend of the American literary scene, pay tribute by writing a piece apiece on Connell’s life, career, and latest short story collection, Lost in Uttar Pradesh.

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Backyard Arcana

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For sixty years, the great and shapeshifting American author Evan S. Connell has woven strands of short stories through the fabric of his ongoing larger works. These beguiling stories have changed (and often deepened) with time while many of their ardors and tensions have remained the same, creating an irresistible dialectic. The three founding editors of Open Letters, united in their appreciation for this living legend of the American literary scene, pay tribute by writing a piece apiece on Connell’s life, career, and latest short story collection, Lost in Uttar Pradesh.

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He Went Thataway

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Overlooked by many historians is the fact that Columbus didn’t just sail west to reach the East, he also sailed south, and he (and the rest of the world) had some specific ideas of what that meant. Bartolomeo Piccolomini shows how Nicolas Wey Gomez’s new book brings the full sphere of The Discoverer’s navigation to life, showing you a Columbus you never knew.

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The End of the End of the End of the End of History

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In his latest book (a slim one this time), Robert Kagan again probes the socio-political state of the West. History is back, he tells us—about a week after he told us it was gone. Greg Waldmann helps us to to keep track of the epochs without a scorecard in his review of The Return of History and the End of Dreams.

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“That is Impossible,” He Told the Court

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At the peak of his career, Naval Secretary (and posthumously famous diarist) Samuel Pepys found himself out of a job, in jail, and facing execution for his alleged plot against the government. Father and son writing team of James and Ben Long take the reader through all the twists and turns of the case; father and son reviewers Thurlow and Zach Truman report back.

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