Grand Affiliations
/Metaphor: a tool for poets and rhetoricians, but also, perhaps, the way that people connect to the world at large. Lianne Habinek reviews a gamesome new study by the great literary critic Denis Donoghue.
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Metaphor: a tool for poets and rhetoricians, but also, perhaps, the way that people connect to the world at large. Lianne Habinek reviews a gamesome new study by the great literary critic Denis Donoghue.
Read MoreCinema lore has it that Jean-Luc Godard read only the first and last three pages of King Lear before making his film adaptation. Lianne Habinek suggests this may have helped him get at the play's essence.
Read MoreCelebrated young novelist Jesse Ball’s latest, The Way through Doors, twists and pulls at the nature of narrative itself. Lianne Habinek threads the labyrinth.
Read MoreIn How We Decide, Jonah Lehrer tries to anatomize the choosing brain. Lianne Habinek – with an assist from some guy named Plato – anatomizes the anatomizer.
Read MorePoetry meets anatomy when Lianne Habinek reads Donne, who, in “The Flea” and other poems, aimed to discover the seat of the soul
Read MoreNeuroscience? In Elsinore? Lianne Habinek has Hamlet on the brain and goes at the question in book and volume. You may never think about Hamlet, or think about thinking, in the same way again.
Read MoreWhile confabulating postmodern fictions, Haruki Murakami has also been running – first to stay fit, then at grueling length. Contributing editor Lianne Habinek jogs us through his book on the subject, What I Talk about when I Talk about Running.
Read MoreLianne Habinek reviews Katie Hafner’s A Romance on Three Legs and gives up all the gossip on one of the most strange and successful relationships in music history, the ménage a trois among Glenn Gould, a blind piano tuner, and a one-of-a-kind Steinway concert grand.
Read MoreShannon Burke’s novel Black Flies returns to the scene of the crimes of his debut Safelight, the soul-scarring world of Harlem paramedics. Lianne Habinek rides along through these dark alleys and shows us how Burke achieves dramatic power without dipping into sentimentality.
Read MoreIn The Ten Most Beautiful Experiments, George Johnson assays the experiments he sees as most elegantly defining the wonder of the scientific method. But with their reliance on chemicals, voltages, and vivisections, are these experiments really “beautiful?” Lianne Habinek straps on her lab goggles and takes a look.
Read MoreLianne Habinek forges into the beguiling part-adult, part-childish, part-real, part-dreamlike films of Michel Gondry.
Read MoreLianne Habinek maps the postmodern mazes of Jesse Ball’s maddening, memorable debut novel Samedi the Deafness.
Read MoreJonah Lehrer’s Proust Was a Neuroscientist attempts to reconcile the ageless turf war between the arts and sciences, but, as Lianne Habinek reports, Lehrer’s propositions may leave both sides feelings shortchanged.
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